How do you create your characters? Do you have a specific method?
My process is haphazard at best, in the beginning, but as I proceed with the plot, I pick characters with purpose: people who act as foils to my hero/heroine, and individuals who trip them up…people who push the action and challenge the h/h. For LIE CATCHERS, I was charmed by the fact that in Petersburg, Alaska, Norwegian men, displaced from their homeland, traveled to Alaska to become fishermen. Some of them married Tlingit (native) women. In a gift store in Petersburg, Alaska, I met the owner, who happened to be a “Tlingwegian.” She was blonde and blue-eyed but with a warm complexion. My heroine was born with that encounter.
Do your characters come before the plot?
Do you know how the story will end before you begin?
Do you choose settings you know or do you have books of settings and plans of plots sitting around?
Where do you do your research?
Are you a draft writer or do you revise as you go along and why? Do you sketch out your plot or do you let the characters develop the route to the end?
I’m a pantser through and through, which takes more time, but is more satisfying to me. I like to be surprised every morning when I get up to write. I never know where my writing will take me each day…and I love that feeling!
Thank you, Rolynn for telling us about your writing process. Can you provide a blurb and information about the Lie Catchers?
LIE CATCHERS
Blurb: Two unsolved murders will tear apart an Alaska fishing town unless a writer and a government agent reveal their secret obsessions.
Treasury agent Parker Browne is working undercover in Petersburg, Alaska to investigate a money scam and a murder. His prime suspect, Liv Hanson, is a freelance writer struggling to save her family’s business. Free spirited, full of life, and with a talent for catching liars, she fascinates Parker.
Trying to prove she’s a legitimate writer who cares about Petersburg’s issues, Liv pens a series of newspaper articles about an old, unsolved murder. When her cold case ties in with Parker’s investigation, bullets start to fly.
Trying to prove she’s a legitimate writer who cares about Petersburg’s issues, Liv pens a series of newspaper articles about an old, unsolved murder. When her cold case ties in with Parker’s investigation, bullets start to fly.
Parker understands money trails, and Liv knows the town residents. But he gave up on love two years ago, and she trusts no one, especially with her carefully guarded secret. If they mesh their skills to find the killers, will they survive the fallout?
By Roben
I received an ARC of this book, and was thrilled to read it. I adored the setting, and the quirkiness of the characters in the small Alaska town. It made me want to go to Alaska. That kind of authenticity comes from an author who knows her setting, who understands its people, and can then convey that knowledge richly. Anderson does just that. Her mystery/suspense, is carefully woven with the right amount of history to engage the reader, and enough mystery to keep the reader guessing. This was my first novel by Rolynn Anderson, and I would definitely read this author again.
EXERPT:
Parker touched her shoulder.
“May I have this dance?”
Liv twirled to find him so close she could smell beer on his breath. A hint of cologne. Had he shaved recently? Smiling at the thought he might have done that for her, she gave him her right hand and rested her left hand on his shirt collar, intent on finding a way to touch his chin to answer the shaving question. But the shave-or-not dilemma was a minor one. She’d already screwed up with one man tonight; would she make a wrong move with Parker, too?
She drew her thumb along his chin and sighed at the silky smoothness. Forget the man’s mouthful of queries and his intense gaze. Just dance. While the singer lamented over loosing her mind, Liv’s body disappeared into Parker’s. Soothed, she was and aroused at the same time, aware Parker knew not to use words. A close shave and a close dance spoke volumes. She was the silent one, afraid to say what might start an avalanche of sentences, lowering her guard, exposing too much to the wrong person at the worst time. This man who held her was a cop and she was on his list of murder suspects. Even if Parker was unorthodox as an investigator, he still held the power of his profession. The reason for his offer to dance wasn’t clear, was it?
The strumming ended, emptying the room of the singer’s piercing ballad.
“Good night, Liv. And thank you for the dance.”
Parker kissed her on the forehead, walked out the door and closed it quietly, taking with him all the unasked questions she would never answer.
Thanks again, Rolynn for sharing your new book with us as well as your writing process.
What about you? Please feel free to share how you initially start planning a new book.
Thanks for hosting me today, Rebecca. As I read this over, I see how haphazard the whole process is. Serendipity rules in my life and in my books!
ReplyDeleteJust so you know, it was Janet Walters, a colleague of mine, who framed these good questions based on the sense of Who, What, Where, When, Why of a novel.
ReplyDeleteThank you, Rolynn and thanks to Janet for the excellent questions.
ReplyDeleteI want to read this book if only for its setting! :-) Although I'm still a partial pantser, I'm as linear as they come--I envy you some of that haphazardness!
ReplyDeleteOh, Liz, I have plot envy of you. If only I could plan ahead, I'd save myself so much grief. I tend to double back more times than I'd like...I'll bet you linear folks never have to do that!
ReplyDeletePleased to see there are other authors out there who are not methodical or do not adhere to the 'recommended' methods that some gurus chant. Pantster sounds just fine to me, Rolynn. It's had the required results! I do a character outline - quite deep - on my characters and the tale flows and develops from there. Following that age old 'what if?' question, I find the story takes off from there. The setting of your book is very intriguing.
ReplyDelete